Poem: Up the River

1 Comment

I promised a poem about the insights from this morning’s kayak trip, in my last entry. It was a beautiful day, the tide was high, and it was exactly the right time to go in the water. At the same time, my body and mind were making another journey this morning, that I wasn’t really aware of until a little later in the trip. As one of my professors kept saying, “matters of ritual are often functional in origin but ontological upon reflection.”

The orange kayak susses across the sand and into the water,
where rock and sea, air and tide meet.
Astronomical forces are at play here:
the water coming into the river,
drawn by Moon invisible on her course,
as I am drawn upriver by the same tide,
the same urgency of now,
when breeze comes down the river,
Pulling herons and swallows in her wake.

Mother makes journey with me,
gliding in a boat of her own,
Both of us solitary voyagers,
Voyaging together.
I pass the first house on the right,
The one with the huge maple tree in its yard,
Its garden alive with green growing things.
Across the river, big orange brick house
Still looks empty,
Its walls a pastiche of European style,
Referencing every noble tradition known,
A silent jewel box that never seems to know human action.

Here in mid-river, reflecting the sun,
The water is resplendently purple,
The rich color of emperors and kings,
Priests and Phoenicians and Pharaohs:
Wavelets carry memory of passing ships,
Presage laughing children,
The darting arrows of rowers —
Disciplined as warriors or water dancers.

We cross under the first bridge.
Here, the dazzling whiteness
Of many ships gathered together
Blinds me in brightness. Such wealth,
Such wonder, such beauty!

The side fork takes us to the mill pond,
Water so shallow it’s almost red. Some folks on their deck watch us paddle past,
Masking irritation and anger with their morning mugs of coffee. Why are they
In our water?
seems essence of their question. how to get them to go away?

Retiring to the main stream, we find the households of the mighty along the water: brilliant big mansions that only great wealth can build: this purple one with a turret painted purple, adirondack chairs like thrones on the porch.

The current is stronger here, pushing us backward. We struggle harder against the current. The speed of the tide carrying us inward and upward is slacking; the tide is turning. We must pull hard to move forward. On the left, here is the senior center with its elderly inhabitants, fragile and slow as lead.

On the right, nestled amid complex, marshy ground — always stable with the same marsh plants, yet ever in motion — new cygnets shelter under the wings of two old-soul swans: two parents, five children, swirling in circles in the river’s blackness.

Beyond, beyond:
Up the river still further!

Here is no abyss, but a dam:
The river in my fingers is salt,
It tastes of the sea, of fish,
Of living creatures

But now my orange kayak’s bow
Thuds against the great black wall.
Behold! The fresh water, living water,
Falls in cascades across the bows,
Sprays me in its excellence,
Makes me take in breath sharply,
Makes me tingle in delight

this far and no farther.

So says the river. abandon the boat, abandon safety,
To come further up,
And further in.

The black cormorants of the estuary
Give way to the white gulls where brine ends,
And the clear water begins.
There is a deepness,
A Fullness,
Beyond this black wall,
One I cannot touch,
Nor sense,
Nor see,
Nor taste.

Oh but I sense its results.
This flow from the source,
This mother and father of waters,
Feeding the swans and the seniors,
The mansions of the mighty,
And the angry coffee-drinkers,
The fleet of bright beautiful boats,
The grand spreading maple,
And the big orange house forever turned inward,
All depend upon the water cascading
Down over this dam,
Flowing out from the springs
That feed this mighty stream.

And now, with other eyes,
I can see the springs beyond the river’s source,
And the black earth of unknown marshes,
Forever feeding water into this river.

And beyond the springs, the rain:
Falling on receptive ground.

And beyond the rain, the clouds,
And beyond the clouds, great Ocean,
Untold depths,
The inexplicable, ineffable Deep.

The water in me wakes at this sense,
Cries aloud, a voice in a desert,
“and me also! Forget me not!”

Enough. The tide is turned,
My arms are tired, my head is weary.
The ocean pulls at my boat,
The stream is rushing to meet it.
I and my orange kayak drift south,
Downstream,
To return to my starting place:
Where the great river meets ocean.
Gathering clouds all around
Prophesy rain.

Baby’s First Spagyric

3 Comments

One of the harder things to get across — to my students, to fellow teachers (at my school and away), and even to myself — is how much one has to learn by doing.  It’s dumb, of course, that we have to keep experimenting and keep trying stuff.  But I was chatting with a colleague yesterday about how much I want to learn to (and teach kids to) do basic carpentry and plaster moulding and … lost wax casting.  For bronze working.

Ok, the last step is a little radical.  I grant you that.  No one is going to want their kids learning out to pour molten bronze into a mould they made themselves, and… who knows if they did it right?  What? The teacher doesn’t know that the kids are going to be perfectly safe? Or even imperfectly safe?

So, I grant that one.  We’re not going to be doing THAT anytime soon in my school’s design program.

But, hey… I’ve admitted here that I’m a magician. Not the kind who pulls rabbits out of hats, but the kind who waves wands about and tries to make real-world stuff happen. And one of the things real-world magicians did is alchemy, which is just a kind of primitive chemistry, if our history textbooks are correct.

Down under my countertop in the kitchen is a glass Mason jar wrapped in plastic.  It’s gently cooking a Spagyric, a kind of medical preparation discussed in Paracelsus’s textbooks on alchemy and early chemistry. The steps involved in making a spagyric are not particularly complicated:

  1. Take a particular herb (someone had given me mint from their garden to try it on)
  2. soak it in highly concentrated alcohol for a couple of weeks without letting it touch metal or other reactive substances
  3. shake it daily.
  4. Separate out the plant matter from the alcohol and keep separate.
  5. In a fire-safe non-metal dish, burn the plant matter to ash.
  6. Cook the ash in the oven until it’s gray-to-white colored.
  7. Add the still-warm ashes to the alcohol.
  8. After a week, strain the alcohol through a coffee filter and bottle the alcohol so it can be dispensed in 1-2 droplets.
  9. Take 1-2 droplets as medicine, in a large glass of water.

Down under the sink is such a jar, somewhere between steps 8 and 9.  I think… I think I did it wrong, somehow. Maybe the ashes were really more dark gray than white. Maybe they didn’t cook under the broiler for as long as they should have.  Maybe I didn’t shake them every day.  Maybe I didn’t prepare the herb as much as I should have.  Maybe…

It’s all water under the bridge.  There’s not a single step that I’ve already done that I can go back and change.  But even the failure will be instructive, won’t it?  Even this admittedly primitive chemistry (or is it alchemy’s first apprentice steps?) has taught me things I would never have found out, had I just left the process on a page, in a book.

The sound and smell.  The accidental taste on the tongue.  The way the wind carries away allegedly precious ash, and the heart-sink as I watch part of my experiment fail; the sudden resolve to do better next time.

These are things not found in books, friends.  If you are not doing, and you are not failing, you are not truly designing.  And our failure to let our kids fail at times, has serious long-range implications.  We have educated a generation of readers and writers who largely hate to read or write, and often know nothing of what to do nor how to do it.

Clio and the possum

6 Comments


CLio and the possum
Originally uploaded by anselm23.

Clio suprised a possum in the bushes outside school yesterday, before the SuperBowl. Here she is with her quarry, which she did not get — though my arm is pretty sore today as a result.

She’s doing ok, for those who asked, but her pee problem is not any better. It’s always tricky, and I don’t really feel welcome at many people’s houses any more. There’s always an issue of “is she welcome? Is she really welcome?” and I’m rather indecisive about what to do about that.

Dogwood

Leave a comment


Dogwood
Originally uploaded by anselm23.

27 May 2007— the dogwoods are already bare of blossoms. You can see that a lot of the petals have come loose from the blooms in this photo. I like catching trees at this point in their life cycle, with their blossoms wilting and falling. Sometimes there are great shots to be had of the blooms littering the ground under the tree.

Hymns for Beltaine

Leave a comment

Morning Hymn
morning…

Kalends of April

Leave a comment

Magnolia blossoms flutter in tatters;
dandelion bursts forth with Queen Anne’s Lace.
Cherry tree opens its blooms, then scatters
all its frail petals. Frogs serenely face
the water, eyes a-hunt for passing flies,
while snakes slither in grass toward those same frogs.
Nature puts on her first brilliant disguise:
cheerful mushrooms springing from rotten logs;
bees bumble-flit around azalea bush;
Hawk chicklings chirp in their lofty eyrie.
Yet beneath these hues, Gaia’s face is harsh:
Nothing survives that is weak, or weary.
Woe and joy are mingled in nature’s hue,
honey’s distilled from both clover and rue.

Ides of March Sonnet

Leave a comment

Woodlands awaken libertine senses:
Sap springs upward in beech and berry-bush.
Clear water replaces lingering slush.
Chipmunk abandons winter defenses,
and turkey finds gaps in farmers’ fences.
Skunk cabbage rises, green heads in the marsh,
spreading to sunlight though wind remains harsh.
Rabbits and chickens renew their menses,
and sun rises earlier every day,
enlightening the east with salmon glow,
to furrow middle portions of his field.
Now is the hour for casting away,
releasing what is dead, and letting go.
That which remains shall be renewed and healed.

Because of travel and time with my family, I was unable to access the Internet to send this and other poems for several days. Please accept my apologies for the late delivery.

New Moon Sonnet

Leave a comment

Hail, bright crescent, when owl glides into wood,
and sparrow perches where icicles hang.
Even winter death proves sacred and good,
since it carries away by frost and fang
all that was delicate or decrepit,
and steels all beings, priming them to bloom.
Leaf pods terminate each twig and branchlet,
latticing pink sun in dawn’s dying gloom.
First songbirds nibble at last year’s berries;
mushroom and termite gnaw on wind-felled oak.
Vigor rises from that which death buries:
shattered shell on leaves stirs alchemy’s yolk.
Life springs up from dead flora and fauna—
Big Bangs bursting from seas of nirvana.

Kalends of February Sonnet

Leave a comment

Snow retreats to drifts in pockets of shade;
mist hangs around white birches by the stream.
Pond ice cracks, and waters rise as pale steam;
spotted sipsissewa shows itself in glade:
bright new green poking from beneath brown leaves.
Grackle, crow, and robin seem less huddled,
but shoreline is hard where geese once waddled
when farmers cut hay and rolled up gold sheaves.
At twilight a barn owl scrabbles in snow,
talons twisting in a mole or a mouse,
ere he sits digesting on a limb.
How long will it be until the stream’s flow
hurries through the marsh? Red maple keeps house
beneath bright stars filling heaven to brim.

Carmentalia

Leave a comment

Ode for the Carmentalia
January 11

The Carmentalia is the festival in the old Roman calendar sacred to the spirits of creativity — the Muses. Please, if you read this, ask others to observe the Carmentalia with a creative act of some sort, and celebrate the power — divinely gifted or evolutionarily bestowed — that allows us to make art.

Sing, dancing Muses, on Helicon’s height:
awake us to new creativity.
In speech, in song, in art let us delight,
mirroring the stars’ bright divinity,
whom you connected with imagined lines,
threading with stories each constellation,
as you bound planets to gravity’s grace.
You join artists, too, with cunning designs,
linking them by webs of inspiration,
through friendship and chance, across time and space.

Yet too long, you confined your attention
to a favored few mortals in your trust
who spent every breath on art’s invention
and chose to be ashes instead of dust.
Now send your flame to quicken every breath;
Nurture tales on each tongue, songs in all ears,
and in this present age, do your duty:
Wake an artist’s passion to outlast death
in every eye that sees or ear that hears!
Infect every heart with love of beauty.

Then shall Helicon be highest of hills,
and Muses be praised above all others,
when song and laughter wake, and weeping stills,
and all people dance and shout together,
joined in love of art. What god dares seek blood
when every shrine is adorned like a bride,
and every house is full of creation?
Your voices wash away war like a flood,
and turn outer conflicts toward peace inside…
Please, light our lamps of mythic elation.

Older Entries

Follow

Get every new post delivered to your Inbox.

Join 1,321 other followers